If You're Writing In The Passive Voice, Consider Revising
I wrote, yesterday, on the need to find your Voice, and illustrated how verbs may be used in the Active and Passive voice. Now I am no expert when it comes to grammar, and if there are those who know better than I, I would ask you to correct me please. However, I do know that persistent use of the passive voice in writing creates a clumsy and confusing narrative, which fails to have any impact on the reader, or to engage them in any way with the thoughts, words or deeds of the character. Take a look at yesterday’s excerpt from my book, A Painful Post Mortem and compare it with the same passage, below, in the Passive Voice.
Active Verb (Italic)
Passive Verb (underlined)
‘This your local?’ The QUESTION was asked by a spotty youth whose pristine climbing boots had clearly never made contact with open ground.
‘Certainly not!’ was the RESPONSE given by Mark. ‘Extension of home. Just a short stagger across the village square!’
A LAUGH was emitted by the boy. IT (i.e. the laughter) made Mark feel good.
The LANDLORD was addressed by Mark, who turned to him; but Mark’s voice was raised for the benefit of the three or four hill walkers clustered at the end of the bar: ‘Don’t see my name above the ruddy door yet, Len. Must have bought the place several times over with my custom.’
The ROLE of stooge was dutifully played by Len.
‘Haven’t seen the colour of your money for rent,’ was his response, as an inventory was cheerily reeled off: ‘Use of premises as registered office; exploitation of pub staff as go-between, message-takers and delivery boys; monopolisation of telephone in hall – Need I go on?’
The hill WALKERS, for whom pints of ale were being drawn by the Landlord, were informed by him, ‘Property tycoon, Mr StJohn. Better watch which route you’re walking. Might find Mark’s bought up Mam Tor from under your feet and bulldozed it to build a shopping mall.’
It was an incestuous and practised routine, whereby Mark and Len benefited, respectively, from increased consumption, and sales, of ale. This is the only sentence (other than dialogue) which remains as it was, already in the Passive Voice and, for the purpose of this exercise, I’ve left it unchanged. Mark’s BANTER was greeted with laughter by the hill walkers and the first ROUND of what would undoubtedly develop into a hardened drinking session at their expense was paid for by him.
WHAT IS A PASSIVE VERB?
There is a place for Passive Voice in writing, as I pointed out. But only rarely in Creative Writing, and then, preferably, in dialogue.
An excellent explanation of the Passive Voice can be found in this website handout, which points out the merit of using Passive Voice in official reports, scientific or medical papers. For example (mine) this use of the Passive verb: ‘Research done by the BMA into the use of Aricept in cancer patients found a positive result’ is, in my opinion, preferable to this use of the Active verb, ‘The BMA found positive results when undertaking research into the use of Aricept in cancer patients’. The reason for this is that the end of the first sentence ‘positive result’ has more impact than the end of the second ‘cancer patients’.
Another educational handout: makes the following statement:
“A passive construction occurs when you make the object of an action into the subject of a sentence. That is, whoever or whatever is performing the action is not the grammatical subject of the sentence. Take a look at this passive rephrasing of a familiar joke:
Why was the road crossed by the chicken?”
Here, ROAD is the OBJECT, chicken the subject and was crossed the Passive verb.
And with that, this BLOG POST has been brought to its conclusion by its author, Mel Menzies! Or, to put it another way: The End.
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